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VIVITAR 70-210MM

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Super Zoom Gallery

Three Men on a Boat (To say nothing about the Bokeh)

Latest blog posts

Popular Tamron 28-75mm f2.8 VXD G2 vs. Zeiss 28-85mm zoom lens review
Unfair comparison of the Pixel 8 Pro with the Tamron 17-70mm f2.8, Carl Zeiss 28-85mm f3.3-4 and Samyang 135 f1.8 lenses?
How AI tools help us in making the VORTEX FALLS short film
Best Zeiss Zoom Lens? Review of the Carl Zeiss Vario-Sonnar T* 28-85mm f/3.3-4 classic lens
Short film HANS JEDERMANN inspired by the visual look of the Netflix sensation ‘The Queen’s Gambit’
Topaz-AI enhanced Rollei analog photos spark nostalgia for Japan in the ’90s
Short film VENDING MACHINE REPAIRMEN shot with legendary Zeiss Biotar 58mm lens: Why we ditched modern lenses for a 70-year-old
Carl Zeiss Biotar 58mm f2 lens vs. Tamron 17-70mm f2.8 at 58mm shooting a German Mini-Corvette painted by Sophie Ramirez
Good bokeh! Viltrox 13mm f1.4 “Little Bastard” lens bokeh review
Bad bokeh? Tamron 17-70mm f2.8 lens bokeh review shooting classic cars
Fun facts about the Internet traffic on this website
heidifoto in Munich and their reliable classic camera and lens rating system (PREVIEW)
Zeiss Batis Distagon 40mm vs. Carl Zeiss Jena Flektogon 35mm — how much better is the modern lens than the classic lens?
Zeiss Biotar 58mm f2 lens on travel in Portugal

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Chris for Jean Paul on Zeiss Olympia Sonnar 180mm f2.8 lens adapted to a Sony a7ii full frame camera
Jason on Zeiss Olympia Sonnar 180mm f2.8 lens adapted to a Sony a7ii full frame camera
Christian Eberle on Short film VENDING MACHINE REPAIRMEN shot with legendary Zeiss Biotar 58mm lens: Why we ditched modern lenses for a 70-year-old

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Dont miss amazing travel photos

shot in Spain 1914-1919 with a
9 x 12 large format ICA camera
and a Zeiss Tessar lens:

Click on the photo or here to see:
https://large-format-photography.org

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