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Latest blog posts

Ultimate Zeiss Zoom Lens? Review of the Carl Zeiss Vario-Sonnar T* 28-85mm f/3.3-4
Stunning independent film inspired by the visual look of the Netflix sensation ‘The Queen’s Gambit’
Topaz-AI enhanced Rollei analog photos spark nostalgia for Japan in the ’90s
Legendary Carl Zeiss Biotar 58mm f2 lens in independent film: Why we ditched modern lenses for a 70-year-old
Carl Zeiss Biotar 58mm f2 lens vs. Tamron 17-70mm f2.8 at 58mm shooting a German Mini-Corvette painted by Sophie Ramirez
Good bokeh! Viltrox 13mm f1.4 “Little Bastard” lens bokeh review
Bad bokeh? Tamron 17-70mm f2.8 lens bokeh review shooting classic cars
Fun facts about the Internet traffic on this website
heidifoto in Munich and their reliable classic camera and lens rating system (PREVIEW)
Zeiss Batis Distagon 40mm vs. Carl Zeiss Jena Flektogon 35mm — how much better is the modern lens than the classic lens?
Zeiss Biotar 58mm f2 lens on travel in Portugal
100+ Years of Zeiss lens history shot in a 100+ Years old German General Store
Octoberfest night images with Viltrox 85mm f1.8 lens on Sony a6000 APS-C camera
Three Men in a Boat (To Say Nothing of the beautiful Bokeh with Classic Zeiss lenses)

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Chris for Jean Paul on Zeiss Olympia Sonnar 180mm f2.8 lens adapted to a Sony a7ii full frame camera
Jason on Zeiss Olympia Sonnar 180mm f2.8 lens adapted to a Sony a7ii full frame camera
Christian Eberle on Legendary Carl Zeiss Biotar 58mm f2 lens in independent film: Why we ditched modern lenses for a 70-year-old

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shot in Spain 1914-1919 with a
9 x 12 large format ICA camera
and a Zeiss Tessar lens:

Click on the photo or here to see:
https://large-format-photography.org

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