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Latest blog posts

Biotar inspired TTArtisan 75mm f/1.5 full-frame vs. Fujinon 50mm f/1.0 APS-C Lens
Biotar Evolution: TTArtisan 75mm f/1.5 inspired by Carl Zeiss Jena Biotar 75mm f/1.5 lens
Popular Tamron 28-75mm f/2.8 VXD G2 vs. Zeiss 28-85mm zoom lens review
Unfair comparison of the Pixel 8 Pro with the Tamron 17-70mm f/2.8, Carl Zeiss 28-85mm f/3.3-4 and Samyang 135 f/1.8 lenses?
How AI tools help us in making the VORTEX FALLS short film
Best Zeiss Zoom Lens? Review of the Carl Zeiss Vario-Sonnar T* 28-85mm f/3.3-4 classic lens
Short film HANS JEDERMANN inspired by the visual look of the Netflix sensation ‘The Queen’s Gambit’
Topaz-AI enhanced Rollei analog photos spark nostalgia for Japan in the ’90s
Short film VENDING MACHINE REPAIRMEN shot with legendary Zeiss Biotar 58mm lens: Why we ditched modern lenses for a 70-year-old
Carl Zeiss Biotar 58mm f/2 lens vs. Tamron 17-70mm f/2.8 at 58mm shooting a German Mini-Corvette painted by Sophie Ramirez
Good bokeh! Viltrox 13mm f/1.4 “Little Bastard” lens bokeh review
Bad bokeh? Tamron 17-70mm f/2.8 lens bokeh review shooting classic cars
Fun facts about the Internet traffic on this website
heidifoto in Munich and their reliable classic camera and lens rating system (PREVIEW)

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Bruno on
Unfair comparison of the Pixel 8 Pro with the Tamron 17-70mm f/2.8, Carl Zeiss 28-85mm f/3.3-4 and Samyang 135 f/1.8 lenses?
Bruno on heidifoto in Munich and their reliable classic camera and lens rating system (PREVIEW)
Bruno on Zeiss Batis Distagon 40mm vs. Carl Zeiss Jena Flektogon 35mm — how much better is the modern lens than the classic lens?

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shot in Spain 1914-1919 with a
9 x 12 large format ICA camera
and a Zeiss Tessar lens:

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https://large-format-photography.org

OpenClaw: AI Revolution and Security Risk?

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